Befreiung zum Frieden
Israel In Egypt - From Slavery To FreedomAn oratorio of three world religions based on “Israel in Egypt” (1738), composed by George Frideric Handel, interwoven with Jewish and Muslim music.
Concept: Werner Ehrhardt, Yair Dalal, and Clemens Birnbaum
Talk with Werner Ehrhardt, Yair Dalal, and Tobias Grabher.
Description
l’arte del mondo orchestra
Werner Ehrhardt | conductor
Konzertchor Niederösterreich
Tobias Grabher | rehearsal
Al Ol Ensemble
Yair Dalal | oud, violine, vocals
Erez Mounk | percussion
Haim Ankri | vocals
Netanel Zalevsky | vocals
Wahab Badarne | kanun
Hanan Atamni | vocals
Gilard Harel | clarinet
Yotam Haimovitch | sitar
Our opening concert explores fundamental questions of human togetherness. While the story of “Israel in Egypt” is hardly based on historical facts, it raises universal questions: What do freedom and peace mean for the individual? How can we live together while preserving our personal autonomy?
Captivating and stirring but also cheerful and playful, the music combines the diversity of Christian Baroque expression with equally as sophisticated music from Judaism and Islam. But the basic structure of the plot remains intact. The chorus and orchestra perform Handel’s score with pinpoint accuracy. Interwoven in between are sounds from the Middle East, Sufi music, or even a raga. In turn, some of those biblical passages, which may at times seem rather harrowing, are mitigated or commented by the inserted passages. As the concert progresses, the musical worlds become more and more entangled.
The Iraqi-Jewish musician Yair Dalal has been playing with his group “Al Ol” (Desert Wind) for more than 30 years, which consists of musicians from Israel and neighbouring countries, regardless of their origin or religion. Werner Ehrhardt is one of the most renowned musicians of the European original sound movement. He founded the orchestras Concerto Köln in 1985 and l’arte del mondo in 2004, which he has been conducting ever since.
Weitere Termine
Befreiung zum Frieden
Israel In Egypt - From Slavery to FreedomAn oratorio of three world religions based on “Israel in Egypt” (1738), composed by George Frideric Handel, interwoven with Jewish and Muslim music.
Concept: Werner Ehrhardt, Yair Dalal, and Clemens Birnbaum
Festival Opening Words: Konrad Paul Liessmann
Austrian Premiere
Porträt Franziska Fleischanderl
Venice 300 Years Ago | Folk Music Roots of the ClassicalDouble concert with the acclaimed salterio and hammered dulcimer player
Reading: Samira Kossebau
Black Angels
An Enthralling Key Work of the 20th centuryThe work will be performed twice! During the intermission, we ask you to change seats and experience the second performance in a completely new way.
Reading: Amrito Geiser
Bach tanzt
The Timeless Pulse of the Baroque MasterCombinations of instrumental music, singing, and contemporary dance
Reading: Elias Eisold
Gipfeltreffen | Hopkinson Smith & Wolfgang Muthspiel
Lute Meets GuitarsWorks by Giovanni Girolamo Kapsberger, John Dowland, George Gershwin, The Beatles, Wolfgang Muthspiel
Concert Introduction: Albert Hosp
World Premiere
The Importance of Otherness
Music and Poetry without BordersExcerpts from “Pasado En Claro” and other compositions by Anders Jormin and Lena Willemark, based on texts by Octavio Paz, Petrarca, Yamabe no Akahito, Thomas Tranströmer, Lena Willemark, and others.
Concert Introduction: Talk with Lena Willemark
Austrian Premiere
Totentanz
On Transience and HopeAn amalgam of Hugo Distler and Johann Sebastian Bach
The two works will be performed without a break, entwined with each other, so to speak.
Concert Introduction: Albert Hosp
Hey Jo!
Homage to Josef “Jo” Aichinger (1955–2021)Music by Jimi Hendrix, Maja Osojnik, Clemens Wenger, Joe Zawinul, and many more.
Concert Introduction: Albert Hosp
Composition commissioned by the State of Lower Austria
World Premiere